Crimson, by Diamine

Mid September, the last week of summer. Autumn is already sending its rain; a colorful season is ahead. Red inks fit autumn perfectly in my opinion. I love Diamine Oxblood and P.W. Akkerman's Stone red and assumed this Crimson ink would be a nice addition to my collection of reds. I was not mistaken.

Crimson is a very nice, beautiful color. Red of course, but subtle and elegant. Not a red for graders and correctors. It's no problem to use this for note taking in the office or for any personal correspondence and writing you want to do. The ink is pleasant for the eyes and remains so even when reading long notes or letters.

Diamine makes great, wonderful value for money inks. No feathering, negligible show-through, wet but not too wet, well lubricated and high, beautiful shading. Drying times were surprisingly fast, roughly 18 seconds. The ink doesn't like water, spilled fluids ruin your writing rapidly and thoroughly.

Crimson is a dark red color with a hint of brown. Not as much as Oxblood though, Crimson is far more red. Compared to Akkerman's stone red, Crimson is darker and more red too. Momiji (Iroshizuku) and Ruby (Lamy) are no comparison; these colors are a much lighter and brighter red.

To conclude, Crimson is a beautiful dark red, highly recommended if you're looking for something a bit more red than Oxblood.

Written on Original Crown Mill Vellum paper

Comments

Kikyou, Sailor Manyo

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The ink writes like a dream. It's not very wet, but smooth and extremely well-behaved in any pen. Just the combination crown mill vellum paper and a poster nib (as you can see), leads to some feathering of the ink. Drying times are simply fast, with just 12 seconds on this paper! Shading is low. Water resistance is low. Even after days it smears easily with just a tiny drop of water.

I called this ink a work horse. It is, and an expensive one. Even though it's wonderful ink, it's simply not special enough to justify the price. Yonaga (Sailor) and Balt…

Ultra violet shimmer ink, Manuscript

A new caligraphy ink by Manuscript with extreme shimmer. Definitely not something to use in the office but it looked interesting to write some cards with in the upcoming holiday season. This ink is clearly not meant for long notes or letters. A very dark violet or purple with heavy gold shimmer.
I find it a hard to use ink. OK to use in a fountain pen like the TWSBI ECO with a stub nib, but a dip pen made the ink feather and spread, even on Clairefontaine or Crown Mill Vellum paper. On Lalo Vergé it was much better. The ink is very wet, causing considerable show-through and even some bleed-through. The drying time wasn't too bad though with 35 seconds. The shimmer smears easily for a bit longer. As can be seen even on this scan, shimmer is gold and very high. A bit of water will keep the ink readable, enough to rewrite.
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Bilberry, by Diamine

Bilberry by Diamine is in the twilight zone between blue and purple. Far more dark than the European blueberry it’s named after. Billberry is a very nice dark ink. I’d call it a dark purple leaning towards blue, but it’s really a matter of perception. In any case it’s an elegant ink that works both for personal correspondence as well as note taking in the office. At first glance many will consider it a blue.
Like most if not all Diamine inks, this ink is very well behaved. No feathering, some shading, and minimal show-through. The ink is less wet than most, writes smoothly and has a drying time that's below average for Diamine (Clairefontaine paper). The ink is very afraid of water, even a little drop or some wetness will smear it and ruin your writing. Even days after writing.
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Bilberr…

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