Steenrood van Vermeer, P.W. Akkerman

Steenrood van Vermeer (stone red by Vermeer) is an ink from P.W. Akkerman's Dutch masters series. Inks inspired by the colors famous 17th century Dutch painters used. Stone red resembles the colors of bricks used in the famous 'Straatje van Vermeer' painting. This is my second favorite red, after Diamine's Oxblood.

The color is midway between red and brown. Classy and modest enough to be used in an office environment (for note taking). Beautiful and striking enough to be used for personal notes and correspondence. The ink remains pleasant for the eyes, no matter how long the text you have to read or write.

Akkerman's ink are excellent. Very well behaved, no feathering, very beautiful shading, no show-through, not too wet and well lubricated. I never noticed any startup problems or skipping. Drying time is fast, between 15 and 20 seconds on Crown Mill Vellum paper. The ink is very susceptible to water.

When compared to other brownish reds, it can easily be seen how brown this ink is. Oxblood is significantly more red, Herbin's rouge grenat even more so. When compared to Herbin's Terre de Feu (a reddish brown instead of a brownish red), it becomes clear how red this ink still is.

All in all this is a wonderful ink that comes in an amazing and beautiful bottle. Highly recommended! With summer ending and autumn close, I will definitely keep a pen filled with this ink.

N.B. Written on Original Crown Mill Vellum paper

Comments

Kikyou, Sailor Manyo

A few months ago this new ink series by Sailor was announced. Based on flowers, in a stylish 50ml bottle. What I see is not a flower, but an ink that is stormy blue with a hint of green. Teal? Maybe, but in my opinion it's darker than that, scans and monitors can be slightly deceiving. This ink can be a work horse. Very suitable for note taking, definitely works in the office, but also for personal notes and correspondence. The ink writes like a dream. It's not very wet, but smooth and extremely well-behaved in any pen. Just the combination crown mill vellum paper and a poster nib (as you can see), leads to some feathering of the ink. Drying times are simply fast, with just 12 seconds on this paper! Shading is low. Water resistance is low. Even after days it smears easily with just a tiny drop of water. I called this ink a work horse. It is, and an expensive one. Even though it's wonderful ink, it's simply not special enough to justify the price. Yonaga (Sailor)

Orange!!

It's Spring, we just had King's day and the European Championships football are being held next month. More than enough reasons to fill up some pens with orange inks. I was surprised to see I had gathered eight inks in the past few years that qualify as orange. Some true bright orange, some leaning more towards red or brown. Which one is your favorite? Written on Tomoe river, 52g

Ultra violet shimmer ink, Manuscript

A new caligraphy ink by Manuscript with extreme shimmer. Definitely not something to use in the office but it looked interesting to write some cards with in the upcoming holiday season. This ink is clearly not meant for long notes or letters. A very dark violet or purple with heavy gold shimmer. I find it a hard to use ink. OK to use in a fountain pen like the TWSBI ECO with a stub nib, but a dip pen made the ink feather and spread, even on Clairefontaine or Crown Mill Vellum paper. On Lalo Vergé it was much better. The ink is very wet, causing considerable show-through and even some bleed-through. The drying time wasn't too bad though with 35 seconds. The shimmer smears easily for a bit longer. As can be seen even on this scan, shimmer is gold and very high. A bit of water will keep the ink readable, enough to rewrite. The violet or purple is comparable to Herbin's Améthyste de l'Oural . Diamine's Imperial Purple (no shimmer) is brighter and lighter.

Fountain pen inks reviews and comparisons

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