Tsuki-yo, by Iroshizuku

My favorite fountain pen ink brand is - without hesitation - Iroshizuku. Excellent behavior, a beautiful bottle and some amazing colors. Tsuki-yo (moonlit night) is the first Iroshizuku ink I ever bought, roughly seven years ago. A beautiful dark teal color. It's a dark blue but with a very clear hint of green in my opinion. Which makes it perfect for any situation, both personal and professional.

This ink deserves and demands high quality paper. If for some reason you cannot use that, please forget this ink brand. Buy Noodler's then. But if you can and do use it, you will be rewarded accordingly. The ink writes like a dream, very smooth! No feathering, no serious show-through, wet but with acceptable drying times, and very beautiful shading. Water will damage your writing, but won't wash it away completely.

Compared to other teals this one is way more blue than the others. Syo-ro, ku-jaku and Emeraude de chivor (Herbin) are considerably more green. Keeping Sailor Yonago, Herbin's blue nuit and some Montblanc bright blues in mind, I don't see much competition from the true blues either.

At first glance this is a decent, serious dark blue. After that first glance, the uniqueness of the color will shine through. I highly recommend this ink, this is not my first bottle of the color and I still fill one of my pens with it on a regular basis.

N.B. Written on Original Crown Mill Vellum paper (white)

Comments

Kikyou, Sailor Manyo

A few months ago this new ink series by Sailor was announced. Based on flowers, in a stylish 50ml bottle. What I see is not a flower, but an ink that is stormy blue with a hint of green. Teal? Maybe, but in my opinion it's darker than that, scans and monitors can be slightly deceiving. This ink can be a work horse. Very suitable for note taking, definitely works in the office, but also for personal notes and correspondence. The ink writes like a dream. It's not very wet, but smooth and extremely well-behaved in any pen. Just the combination crown mill vellum paper and a poster nib (as you can see), leads to some feathering of the ink. Drying times are simply fast, with just 12 seconds on this paper! Shading is low. Water resistance is low. Even after days it smears easily with just a tiny drop of water. I called this ink a work horse. It is, and an expensive one. Even though it's wonderful ink, it's simply not special enough to justify the price. Yonaga (Sailor)

Orange!!

It's Spring, we just had King's day and the European Championships football are being held next month. More than enough reasons to fill up some pens with orange inks. I was surprised to see I had gathered eight inks in the past few years that qualify as orange. Some true bright orange, some leaning more towards red or brown. Which one is your favorite? Written on Tomoe river, 52g

Ultra violet shimmer ink, Manuscript

A new caligraphy ink by Manuscript with extreme shimmer. Definitely not something to use in the office but it looked interesting to write some cards with in the upcoming holiday season. This ink is clearly not meant for long notes or letters. A very dark violet or purple with heavy gold shimmer. I find it a hard to use ink. OK to use in a fountain pen like the TWSBI ECO with a stub nib, but a dip pen made the ink feather and spread, even on Clairefontaine or Crown Mill Vellum paper. On Lalo Vergé it was much better. The ink is very wet, causing considerable show-through and even some bleed-through. The drying time wasn't too bad though with 35 seconds. The shimmer smears easily for a bit longer. As can be seen even on this scan, shimmer is gold and very high. A bit of water will keep the ink readable, enough to rewrite. The violet or purple is comparable to Herbin's Améthyste de l'Oural . Diamine's Imperial Purple (no shimmer) is brighter and lighter.

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