Syo-ro, Iroshizuku

Syo-ro (dew on pine tree), by Iroshizuku. A beautiful teal colored ink that leans a lot more towards green than towards blue. A very versatile color. Suited for note taking in the office, for personal notes, for writing and for personal correspondence.

No feathering, beautiful shading, not too wet, writes smoothly. Drying time on Crown Mill was surprisingly fast with 23 seconds, as is its ability to withstand a few drops of water.

This ink, as almost all Iroshizuku inks, is a dream to write with, provided you use it on quality paper. Using Iroshizuku on lowest bidder paper is blasphemy and punishment will be severe and swift. Use it on it Rhodia, Crown Mill, Leuchtturm, Tomoe or the likes, and you will be reward equally.

Comparing the ink to others is not so easy. The differences between colors that I considered close cousins, are bigger than expected. Ku-jaku is a teal that leans far more to blue, moss green (Graf von Faber Castell) is darker and a lot greener and Emeraude de Chivor is more blue as well.

All in all, this is an excellent ink and highly recommended. It's one of the inks I come back to often.

Orange!!

It's Spring, we just had King's day and the European Championships football are being held next month. More than enough reasons to fill up some pens with orange inks. I was surprised to see I had gathered eight inks in the past few years that qualify as orange. Some true bright orange, some leaning more towards red or brown. Which one is your favorite? Written on Tomoe river, 52g

Kikyou, Sailor Manyo

A few months ago this new ink series by Sailor was announced. Based on flowers, in a stylish 50ml bottle. What I see is not a flower, but an ink that is stormy blue with a hint of green. Teal? Maybe, but in my opinion it's darker than that, scans and monitors can be slightly deceiving. This ink can be a work horse. Very suitable for note taking, definitely works in the office, but also for personal notes and correspondence. The ink writes like a dream. It's not very wet, but smooth and extremely well-behaved in any pen. Just the combination crown mill vellum paper and a poster nib (as you can see), leads to some feathering of the ink. Drying times are simply fast, with just 12 seconds on this paper! Shading is low. Water resistance is low. Even after days it smears easily with just a tiny drop of water. I called this ink a work horse. It is, and an expensive one. Even though it's wonderful ink, it's simply not special enough to justify the price. Yonaga (Sailor)

Ultra violet shimmer ink, Manuscript

A new caligraphy ink by Manuscript with extreme shimmer. Definitely not something to use in the office but it looked interesting to write some cards with in the upcoming holiday season. This ink is clearly not meant for long notes or letters. A very dark violet or purple with heavy gold shimmer. I find it a hard to use ink. OK to use in a fountain pen like the TWSBI ECO with a stub nib, but a dip pen made the ink feather and spread, even on Clairefontaine or Crown Mill Vellum paper. On Lalo Vergé it was much better. The ink is very wet, causing considerable show-through and even some bleed-through. The drying time wasn't too bad though with 35 seconds. The shimmer smears easily for a bit longer. As can be seen even on this scan, shimmer is gold and very high. A bit of water will keep the ink readable, enough to rewrite. The violet or purple is comparable to Herbin's Améthyste de l'Oural . Diamine's Imperial Purple (no shimmer) is brighter and lighter.

Fountain pen inks reviews and comparisons

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